Informed by the scientific theory of Gravitational Lensing; a study
of light bending due to the gravitational pull of matter, this solo
show embraces the diagrammatic compositions and situations involved in
the processes of painting.
Poured and spread paint envelops the
works, including objects such as coaxial cable and neon lighting,
creating a dynamic fusion of suspended motion combined with controlled
and chance encounters.
'Movement has an essential relation
to the imperceptible; it is by nature imperceptible, perception can
grasp movement only as the displacement of a moving body or the
development of a form.'
Giles Deleuze, Felix Guattari, A Thousand Plateaus; Capitalism & Schizophrenia